Earlier this year, it seemed likely, release of Lil Wayne official first half of 2009 would be her tour more than likely ill-advised in the rock, the experiment cringeworthy Renaissance.
From the auto-tuned "Prom Queen" to his mediocre fame-reflecting mixtape Dedication 3, to the many unauthorized (and uniformly terrible) remix compilations assembled by unknown DJs, Weezy's post-Tha Carter III output has been more a PSA about the dangers of excessive syrup consumption than a deserved victory lap.Now, in pre-Carter IV hype-building style, Wayne has dropped an official mixtape into cyberspace without much warning, and suddenly any notion of diminishing returns needs to be reassessed. Like his previous mixes, Wayne takes existing beats — most notably Jay-Z's "D.O.A. (Death Of Auto-Tune)," the Black Eyed Peas "I Gotta Feeling" and Kanye West's re-imagining of Lady Gaga's "Poker Face" — and simply pulverizes them lyrically to the point where his wacky purees outshine the originals.
At its best, Wayne freestyles mistaken view is completely incomprehensible: non sequitur, the flow and swagger that are often surprisingly Weezy himself laughing, as his inclination to his raps.
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